I went to Charing Cross Hospital for Fracture clinic again this morning. I was all braced for another marathon of waiting (all my previous appointments have taken about three and a half hours). I had a novel, a notebook and pen, biscuits and a bottle of water. But I was in and out in less than an hour - and I have been discharged. I am, officially, no longer in need of any medical supervision for my wrist.
I'll have a piece of metal in my arm for the rest of my life, but it isn't hurting me, and it only sometimes triggers security scanning machines. But according to Mr Thomas, the consultant orthopaedic surgeon who saw me, I have made a very good recovery from a nasty little injury. "Well done," he said, and he actually beamed at me. I fear this means a lot of his patients do not make good recoveries. Maybe they don't drive themselves nuts with boredom doing the exercises...
I walked out of there with a huge grin on my face; I was smiling so wide that about seven people smiled back at me between the hospital and Hammersmith Broadway (note to self; do this more often - it would appear it's a really simple way to spread a little happiness!).
I'm at about 85% normal mobility now, and Mr Thomas, going by the low-tech measuring system called "squeeze my finger, please", thinks I'm at about 90% of normal strength.
Hurrah! The endless exercises, the physiotherapy sessions and Wrist Boot Camp and all the pain and worry (& grumbling) have paid off!
Thank you to all my friends and neighbours, and everyone out there, for all your support while I moaned and groaned my way through this long uphill slog of recovery!
Have a good weekend.
Showing posts with label physiotherapy. Show all posts
Showing posts with label physiotherapy. Show all posts
Friday, 25 June 2010
Friday, 19 February 2010
TGIFriday
No, not the steakhouse. Just the sentiment. Thank the gods, it's Friday.
This week has rushed by, which I ought to be concerned about. Isn't it horrible how time passes faster and faster as one gets older? Since it has been rather a rough week I'm relieved to reach Friday and see my two days of rest ahead. Although the weather forecast is for more bally snow tomorrow - rats!!
I had another physio session this morning and was commended on having made good progress with my flexibility exercises, but then told I had a good long haul still to go, and that after the first two weeks progress normally slows down a lot >loud and heartfelt sigh<. My wrist has ached for most of the rest of the day after being asked to do exercises with weights for the first time. Still, I've now got an extended exercise programme, and will push on with it. There isn't much else I can do, anyway. I want my hand back... please...
Tomorrow I have a concert at the Festival hall; Janacek and Suk, should be good. At the moment I'm thinking I'll go up into the West End a bit earlier and take a leaf out of Jana's book by having a sketching session in a café somewhere, with a light supper perhaps. She and her cohorts in California seem to do this regularly and I like the idea; and it does my aching and frustrated creativity good to get a little exercise. I know, because I managed to do a little bit of creative activity yesterday.
I was watching "The Culture Show" after an early supper. There was an item about the Royal Ballet and on impulse I picked up my sketchbook and tried a little drawing; to my immense pleasure I was able to produce a thumbnail sketch of Jonathan Watkins that actually looked like Jonathan Watkins! Yippee! So I did another, rather sketchier one (he moves a lot). Then I started one of Laura Morera, but the interview cut away from her before I could finish that, leaving her with no eyes (eeee, zombie ballerina ahoy). Finally I managed to grab a hasty back view of one of the dancers Watkins was rehearsing. After that the programme went to an interview with Anthony D'Offay, who is considerably less easy on the eye, but I drew him too, anyway.
The lines went where I wanted! The sketches of people looked like people! Yes, yes, orgasmic yes - I will be able to draw again!
It gave me such a buzz that I followed on by typing another page or so of the Work In Progress. So it was a good evening, and it has inspired me to try some more this weekend. Wish me luck; and have a peaceful weekend yourselves, out there...
This week has rushed by, which I ought to be concerned about. Isn't it horrible how time passes faster and faster as one gets older? Since it has been rather a rough week I'm relieved to reach Friday and see my two days of rest ahead. Although the weather forecast is for more bally snow tomorrow - rats!!
I had another physio session this morning and was commended on having made good progress with my flexibility exercises, but then told I had a good long haul still to go, and that after the first two weeks progress normally slows down a lot >loud and heartfelt sigh<. My wrist has ached for most of the rest of the day after being asked to do exercises with weights for the first time. Still, I've now got an extended exercise programme, and will push on with it. There isn't much else I can do, anyway. I want my hand back... please...
Tomorrow I have a concert at the Festival hall; Janacek and Suk, should be good. At the moment I'm thinking I'll go up into the West End a bit earlier and take a leaf out of Jana's book by having a sketching session in a café somewhere, with a light supper perhaps. She and her cohorts in California seem to do this regularly and I like the idea; and it does my aching and frustrated creativity good to get a little exercise. I know, because I managed to do a little bit of creative activity yesterday.
I was watching "The Culture Show" after an early supper. There was an item about the Royal Ballet and on impulse I picked up my sketchbook and tried a little drawing; to my immense pleasure I was able to produce a thumbnail sketch of Jonathan Watkins that actually looked like Jonathan Watkins! Yippee! So I did another, rather sketchier one (he moves a lot). Then I started one of Laura Morera, but the interview cut away from her before I could finish that, leaving her with no eyes (eeee, zombie ballerina ahoy). Finally I managed to grab a hasty back view of one of the dancers Watkins was rehearsing. After that the programme went to an interview with Anthony D'Offay, who is considerably less easy on the eye, but I drew him too, anyway.
The lines went where I wanted! The sketches of people looked like people! Yes, yes, orgasmic yes - I will be able to draw again!
It gave me such a buzz that I followed on by typing another page or so of the Work In Progress. So it was a good evening, and it has inspired me to try some more this weekend. Wish me luck; and have a peaceful weekend yourselves, out there...
Friday, 5 February 2010
Emotional barometer going down again
Feeling rather low after a physiotherapy session this morning which was a mixture of encouraging and deeply dispiriting. There are not going to be any quick fixes with this wrist of mine.
Some aspects of the session were encouraging. My flexion is "pretty good considering" and my finger strength is "excellent". My pronation and supination - the pivoting-from-below-the-elbow movements - are much as expected. But my extension - the bending-back movement - is non-existent and my radial deviation is poor, and both of these may be affected by the position of the plate in my arm. I have a list of exercises as long as my arm, and two different types of massage; all of these have to be done several times a day. No starting on strength exercises until I have more flexibility, since strength exercises will not lengthen the muscles but if anything shorten them; I need to lengthen them back to a good normal standard before i do anything else. I've also been given a night-splint to wear; rather like a brace for one's teeth, only to stretch the tendons instead of straightening the gob.
I came out feeling tired and shaky and rather dismal, got as far as the tube station saying "Pull yourself together, woman" to myself, and then gave up, and limped into Starbucks for a large coffee and an apple doughnut. It's no good; when you feel weepy and wimpy sometimes you just have to accept it. I dropped my teaspoon in the café and nearly cried at that; so clearly I am hardly emotionally robust at present and I'd do best to be honest with myself about it.
Last night's Philharmonia concert was exhilerating; George Benjamin's "Dance Figures", which I didn't know and liked enormously; a dazzlingly icy and bravura Stravinsky concerto from Viktoria Mullova (in a very strange nightdress-like frock worn over black cigarette pants - not sure this was a good look, though it did leave her arms free), and the Bartók "Concerto for Orchestra", which I adore and was duely blown away by once again. The brass practically lifted me out of my seat. The first time I heard this it was being played by the amateur orchestra my godfather Jim Clinch used to conduct - it's probably one of the most ambitious things they'd ever tackled - and at the end, in the split second before the applause started, Jimmy could be heard hissing "Well done!" as he laid down his baton. I think that was the concert when he lost a dress-shirt button ten minutes before the start and I got hoiked into the Green Room to sew him back together (I am one of those odd people who carry needle and thread, and sticking plaster, and a rubber band, and a pencil sharpener...). Sadly I don't think I'll ever get to rescue Maestro Salonen from a sartorial whoops, but one can't have everything in this life of ours.
I know the Benjamin piece was choreographed (by Anne Teresa de Keersmaeker, I think) on its première, but someone ought to play it to Wayne Macgregor anyway; I'm sure it's right up his street. For that matter, I don't think anyone's ever made a dance piece to the Bartók, either, and it practically cries out for movement.
I came home on a high, trying to write a poem about Bartók. Must remember that, when I feel low. There is so much beauty in the world, so much of excitement and passion. My little woes amount to less than a grain of sand in comparison.
Some aspects of the session were encouraging. My flexion is "pretty good considering" and my finger strength is "excellent". My pronation and supination - the pivoting-from-below-the-elbow movements - are much as expected. But my extension - the bending-back movement - is non-existent and my radial deviation is poor, and both of these may be affected by the position of the plate in my arm. I have a list of exercises as long as my arm, and two different types of massage; all of these have to be done several times a day. No starting on strength exercises until I have more flexibility, since strength exercises will not lengthen the muscles but if anything shorten them; I need to lengthen them back to a good normal standard before i do anything else. I've also been given a night-splint to wear; rather like a brace for one's teeth, only to stretch the tendons instead of straightening the gob.
I came out feeling tired and shaky and rather dismal, got as far as the tube station saying "Pull yourself together, woman" to myself, and then gave up, and limped into Starbucks for a large coffee and an apple doughnut. It's no good; when you feel weepy and wimpy sometimes you just have to accept it. I dropped my teaspoon in the café and nearly cried at that; so clearly I am hardly emotionally robust at present and I'd do best to be honest with myself about it.
Last night's Philharmonia concert was exhilerating; George Benjamin's "Dance Figures", which I didn't know and liked enormously; a dazzlingly icy and bravura Stravinsky concerto from Viktoria Mullova (in a very strange nightdress-like frock worn over black cigarette pants - not sure this was a good look, though it did leave her arms free), and the Bartók "Concerto for Orchestra", which I adore and was duely blown away by once again. The brass practically lifted me out of my seat. The first time I heard this it was being played by the amateur orchestra my godfather Jim Clinch used to conduct - it's probably one of the most ambitious things they'd ever tackled - and at the end, in the split second before the applause started, Jimmy could be heard hissing "Well done!" as he laid down his baton. I think that was the concert when he lost a dress-shirt button ten minutes before the start and I got hoiked into the Green Room to sew him back together (I am one of those odd people who carry needle and thread, and sticking plaster, and a rubber band, and a pencil sharpener...). Sadly I don't think I'll ever get to rescue Maestro Salonen from a sartorial whoops, but one can't have everything in this life of ours.
I know the Benjamin piece was choreographed (by Anne Teresa de Keersmaeker, I think) on its première, but someone ought to play it to Wayne Macgregor anyway; I'm sure it's right up his street. For that matter, I don't think anyone's ever made a dance piece to the Bartók, either, and it practically cries out for movement.
I came home on a high, trying to write a poem about Bartók. Must remember that, when I feel low. There is so much beauty in the world, so much of excitement and passion. My little woes amount to less than a grain of sand in comparison.
Wednesday, 23 December 2009
Okay, going home now...
I've been taught some rather weird finger exercises by a nice physiotherapist, eaten far too many biscuits and Quality Street chocs, and answered a lot of 'phone calls (mostly asking "Are the Gardens open tomorrow?" - answer "NO!"), and now - I'm going home. Tomorrow I'm off down to Kent for a family Christmas of reading, eating, healthy walks, and finger exercises.
Merry Christmas and a Happy and Prosperous New Year to one and all!
Merry Christmas and a Happy and Prosperous New Year to one and all!
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