Showing posts with label Aida. Show all posts
Showing posts with label Aida. Show all posts

Monday, 11 April 2011

Guess what? - a busy weekend...

Lately life seems to be amazingly busy. I don’t know if it’s something to do with the burgeoning energy of spring, or simply that I have over-booked myself badly for March and April. I’m not complaining! – it’s lovely to be busy; to be seeing friends and family, going to concerts and ballet and opera, working in the garden, cooking, drawing, writing and so on. It’s great – I hate being bored.

This weekend was certainly hectic. Talking to the bank manager on Saturday, while not exactly fun, was at least useful (I was making arrangements about my savings, so it was the good kind of bank manager interview, not the painful kind). Trying to get my summer clothes sorted out on Sunday was less fun, owing to what I’ll politely call waistline issues. It’s left me with a pile of needlework to do, too, plus I didn’t get the job finished so now have a pile of summer clothes lying on the floor in an unwearable tangle. But - I also made a good chick pea curry and an excellent Spanish omelette, and cleaned the bathroom, and had a spin on my bike admiring magnolias and cherry blossom in other people’s gardens, and nearly did something awful to my back with five hours’ straight working in my own garden (which is still pretty immature, meaning everything is very short and I am bent double the entire time). And finally, after being galvanised by a friend into going out on Sunday afternoon, ended up having white wine and ice cream in a pizzeria on Southampton Row with some more of her friends who were on their way to “Aida” at the Royal Opera. They had standing room tickets, so on balance I didn’t envy them too badly, much though I love “Aida”. But intelligent company is always good, especially on a sunny afternoon with added wine and ice cream.

‘ “My idea of good company is the company of clever, well-informed people, who have a great deal of conversation; that is what I call good company.”
“That is not good company – that is the best.” ’

(Jane Austen “Persuasion” - but I’m quoting from memory so may have got it garbled).

Friday, 4 June 2010

I love summer

Off to “The Pearl Fishers” tonight; sounds like pure hokum, plot-wise, but ENO seem to be on something of a roll at the moment so I’m hoping it will be another musical treat. I wish Covent Garden were on a winning streak opera-wise, but I loathed their new “Aida” – all the more bitterly disappointing as it’s an opera I love, and David McVicar’s productions are usually intelligent and insightful.

I’ve been haunted for over week now by that “Tosca”. It took me a while to work out why it was suddenly so fresh and exciting – not just the terrific conducting and singing, and subtle acting, but over and above that the fact that it had been directed as if for someone who’d never seen it before and didn’t know the plot. Not once was there a reliance on cliché or on the audience already knowing what happens next; not once was a performer’s motivation “I have to do this because it says so in the stage directions”. So - Tosca tries to tell Cavaradossi how to “die properly” because she really believes his execution is going to be faked, and it soothes her nerves to remind him he isn’t an actor [sadly true of the singer in question]. And so - Scarpia clearly has every expectation of spending the next few months breaking Tosca’s spirit still further, and enjoying every minute of it, right up to the moment when she sticks him in the guts with his own letter-opener.

The opening chords have been ear-worming me for the last week, too. Last night I managed to get rid of them, finally, by the not-always desirable tactic of replacing them with something else. In this case, “Oh Peggy Gordon, you are my darling”… Oh well, one can’t win them all.

Just went out for my lunch break to eat my sandwich under a tree and take a stroll in the glorious hot sunshine. The Gardens are looking wonderful; but it’s half term, and I had to stop six times to say politely “I’m sorry to disturb you, but I’m afraid ball games/frisbees/roller skates/bicycles/scooters/tree-climbing are not allowed” to visitors who have not read the sign at the gate which reads “The following are not permitted – ball games, frisbees, roller skates, bicycles, scooters, tree climbing…”. If I have lunch indoors, I don’t have to do this embarrassing duty, but I don’t get the sun, either, or the irises, or the glorious sweet and pungent smells of a hot June day – dry grass, Escallonia myrtoides, linden blossom, acacia blossom, lavender... I love summer.

Friday, 7 November 2008

Friday evening...

Slightly tired after "Aida" last night at the ENO - wonderfully OTT production, embracing the fact one cannot make a revisionist statement about what is certainly one of the silliest but also vocally lushest pieces in Verdi's ouevre, and in effect saying "The hell with it, let's field elephants and trumpeters and tumblers, and dress everyone in brilliant colour, because we may waste a lot of time if we try to find an intellectual core buried in here". (ouch, sorry; pun not intended). A temendous Aida in Clare Rutter - dare I say her voice reminds me of recordings of the young Tebaldi? Absolutely gorgeous singing, from her and from Iain Patterson's Amonasro in particular - the latter overcoming a severe burden in the form of his costume...
Have also now had a fairly busy afternoon at work, and some fairly odd enquiries. But I have a completely clear weekend and am looking forward to doing some STUFF, finishing my latest sewing project, and possibly going to the WWT in Barnes for one of their indulgent veggie sunday lunches and a damp afternoon with (hopefully) lots of lovely migrant birds to sketch. Of course, I also have to do my grocery shopping and run the washing machine, and I need to find out where in Shepherd's Bush Kerry's film is screening on Monday night.
Have a good weekend, everybody!