I've been pretty busy at work this week, and this afternoon I managed to lash something up on Outlook. I'd had a personal email I wanted to answer, from one of my best friends; I dashed off a quick reply and sent it; and it bounced. No idea why (computers are weird).
So, irritably, as I was trying not to take extra time over it, I went >select all > copy all > new email > paste, entered the first two letters of the intended recipient's name into the "To" box and clicked enter as her name came up, and sent it. Only to see, next moment, that I had sent it to the wrong person. Said best friend's name begins with the same two letters as a colleague at work's name. I email her a lot (because best friends, yup?); but I also email him a lot (because colleague of vital importance). It turns out they are running neck-and-neck in my contacts list for that initial.
I tried to recall the email, but in the thirty seconds or so when I was still sitting frozen, staring at my screen and thinking "No... no... noo" he had already opened it. "Recall email" doesn't work once the email has been opened. Oh sh*t.
Scream at computer. Write hasty grovelling & embarrassed apology. Cross all available digits and wait.
I imagine he was still reading, and thinking "I don't need to know this, and my mother is not being a goose about my wedding - my wedding?!? - and why would I need lace and jam jars?" and contemplating how to tell me I'd cocked up, when he got the apology. He was, of course, a complete gentleman about it, so it isn't an absolute disaster.
But it is utterly mortifying to do something so bloody stupid; and if I can do it once, I could do it again. And I could do it in far worse ways. It's really shaken my self-esteem to make such an idiotic mistake, just because I'm tired and stressed and trying to do something in a hurry. I thought I was an efficient, professional person who didn't balls things up. Ha-bloody-ha, so much for that idea.
I suppose it is good for one, to be reminded that one is just as capable of making a really imbecilic mistake as anybody else. If even Jove nods, then common-or-garden mortal Ims is bound to, and it's a kind of mild hubris to think I can't.
I still wanted to weep for a while afterwards, though. Epic bloody fail, woman. Epic.
I came home, ate felafels, felt disconsolate and incompetant, and watched "Great British Bake-Off", which is schadenfreude of the first water in such situations.
I've been trying to cheer myself up, since then, by getting on with some of my sewing. I bought a dress in the sales for £11; when I tried it on in the shop it was one of those garments that don't quite work, but I could see it had the potential to be something rather smart, with a little help. So I bought it anyway, and am adjusting it. I've taken off the sleeves and taken out the zip, and I'm refitting the waistline and the bust darts, and turning the edges of the shoulders under to make it sleeveless. It's a really unusual fabric, a screen-printed design in grey with green orchids. I think it's going to be rather snazzy when I finish.
I'm also engaged on cannibalising two other old dresses to make a third; when finished this will have a rather 1920's cut with no waist at all, cap sleeves and a harlequin-patchwork panel down the front. And I'm converting a black evening dress into an evening top as a present for the DipGeek. Lots of sewing, then; and when I turn out my winter things I'll probably find more jobs there, too. I don't have a sewing machine, so this is all hand work. Luckily I find needlework very relaxing of an evening. I feel much better now. I've almost got over the email fiasco >whimper<
Showing posts with label sewing. Show all posts
Showing posts with label sewing. Show all posts
Wednesday, 27 August 2014
Thursday, 7 August 2014
Whole lot of random goin' on
I got in tonight after a hot busy and frustrating day at work - which is better than a hot boring frustrating day, don't get me wrong here - but oh, it was a maddening day! Something I have been waiting ages for is proving painfully difficult to achieve, and it's setting me more and more behind in my own job with each passing day. I sent the person who has it even worse than me a marvellous picture of a dreadnought (HMS Agamemnon, 1915, to be precise) as consolation, but I doubt if it made much difference to him. I'm the one turned-on by Edwardian battleships, not him (I blame my brothers). But anyway, the day wound to an inconclusive end eventually, and I picked up my bag and came home.
Poured myself a large G&T and cooked supper. Logged on to facebook and found a bizarre collection of glorious holiday snaps and horror stories. Eeech, what a world. I want more of the happy and the Cornish sunshine, and less of the grief and struggle. Not just for myself but for all of you.
That's probably the gin talking; apologies if so.
I found a bunch of theatre tickets had arrived in the post today; yippee, ballet galore. The opera ones are yet to come, likewise theatre and concerts. But the ballet tickets are one major element in place now.
I'm preparing for my autumn, you see. One can feel the first nudge of it in the air, mornings, and the first scent of it too, musty and fungal and sweet, as though someone had devised a new kind of incense made of rot. Come autumn, I need a full programme of Kulchah to keep me going through the cold dark days of winter. Though I will hope to go away somewhere for my birthday (& to do it successfully this year instead of being spectacularly & messily ill as I was last year).
Supper was a good one. Last Friday when I had the chance to enjoy that rather spiffing & classy afternoon tea with my colleagues, one of the things I was chatting about with a certain very lovely chap was the question of whether or not one could take home the unused sandwiches in a doggy-bag and make a kind of savoury bread-and-butter pudding with them; slice them into a baking dish, soak in egg + milk, and bake. We agreed it would probably work. I realised afterwards that I was thinking of strata, which I remember having on holiday in Italy at some point, and which is pretty much exactly that, but with a rather more select choice of fillings (i.e. crab and prawns and buttery onions, not ham and cucumber and egg-&-cress and salmon). I forgot to ask for my doggy bag, anyway; but ever since I have been thinking at intervals of the singular deliciousness that is egg and bread cooked together; strata, eggy bread, egg-in-a-basket, bread omelette, bread pudding, croque monsieur, croque madame...
So tonight I made myself a kind of Greek-inflected cousin of these; Croque Kyrie, I suppose I could call it. Delicious, dead easy, and I imagine it would also work well with the splendid substance that is Genius Bread, for my coeliac friends.
Went down very well with the G&T, too.
For each person, you will need:
2 slices off a sandwich loaf
2 eggs
some feta cheese
pepper
olive oil
a tomato
Beat the eggs thoroughly with some pepper and pour over the sliced bread in a flat dish. Leave to soak for half an hour minimum. Sandwich two slices of the soggy eggy bread with a thinnish slice of feta cheese and press down hard. Yes, you will get eggy fingers. Tough. Wash your hands.
Heat a bit of olive oil in a frying pan; get it good and hot to start with. Pick up your gooey eggy cheese sarnie and slip it into the hot oil. Fry for five minutes on a fairly high heat, then turn the heat down to pretty low and turn the sandwich over carefully with a spatula. Continue cooking on the other side. Turn again after a while. Turn it two or three times altogether; gently does it each time. The idea is never to let it burn but to get all the egg cooked and the cheese all melted and delish. Part of the way thru', put in the halved tomato, skin side down, beside the sandwich, and fry that as well. Ideally you want to get the tomato just slightly blackened on the skin and volcanically hot inside. Serve hot, with some olives for an additional punch of flavour.
Incidentally, this would make very good hot canapes if you cut it into 1 inch squares.
After that I watched the cricket highlights from Old Trafford. YEAH. OKAY.
Not only are England doing okay in the test match but it's been a good week culturally as well. Last Thursday I went to see "Guardians of the Galaxy", which is rollicking good stuff, thoroughly exciting, almost unnaturally well-cast (a Marvel speciality, this) and looks fantastic as well. Last weekend I went to a wonderful show at Dulwich Picture Gallery, "Art and Life", with some stunning pieces by Winifred Nicolson, one of my heroine artists. I've also seen "The Immigrant" recently on dvd; that looks tremendous, too, and it's brilliant as well - but heart-breakingly sad. And finally I've been getting on with some sewing and I've written about 4,000 words on the western story. Add in that excellent posh tea as well and it's not been a bad seven days.
And since I haven't seen the crush since then, except briefly in the distance, I am getting over the hiccough of seeing him last Friday, too. Bless him, dear man. I am determined to put this behind me. I really don't want to cause him a problem (he's a very nice chap & I'd hate it if I did) so this is just as well, really. I vow to let it go. I will let it go. I will. I swear. Or at least, the gin swears. Gin is much given to that, after all.
And tomorrow is Friday again. Good grief, where do the weeks go?
Poured myself a large G&T and cooked supper. Logged on to facebook and found a bizarre collection of glorious holiday snaps and horror stories. Eeech, what a world. I want more of the happy and the Cornish sunshine, and less of the grief and struggle. Not just for myself but for all of you.
That's probably the gin talking; apologies if so.
I found a bunch of theatre tickets had arrived in the post today; yippee, ballet galore. The opera ones are yet to come, likewise theatre and concerts. But the ballet tickets are one major element in place now.
I'm preparing for my autumn, you see. One can feel the first nudge of it in the air, mornings, and the first scent of it too, musty and fungal and sweet, as though someone had devised a new kind of incense made of rot. Come autumn, I need a full programme of Kulchah to keep me going through the cold dark days of winter. Though I will hope to go away somewhere for my birthday (& to do it successfully this year instead of being spectacularly & messily ill as I was last year).
Supper was a good one. Last Friday when I had the chance to enjoy that rather spiffing & classy afternoon tea with my colleagues, one of the things I was chatting about with a certain very lovely chap was the question of whether or not one could take home the unused sandwiches in a doggy-bag and make a kind of savoury bread-and-butter pudding with them; slice them into a baking dish, soak in egg + milk, and bake. We agreed it would probably work. I realised afterwards that I was thinking of strata, which I remember having on holiday in Italy at some point, and which is pretty much exactly that, but with a rather more select choice of fillings (i.e. crab and prawns and buttery onions, not ham and cucumber and egg-&-cress and salmon). I forgot to ask for my doggy bag, anyway; but ever since I have been thinking at intervals of the singular deliciousness that is egg and bread cooked together; strata, eggy bread, egg-in-a-basket, bread omelette, bread pudding, croque monsieur, croque madame...
So tonight I made myself a kind of Greek-inflected cousin of these; Croque Kyrie, I suppose I could call it. Delicious, dead easy, and I imagine it would also work well with the splendid substance that is Genius Bread, for my coeliac friends.
Went down very well with the G&T, too.
For each person, you will need:
2 slices off a sandwich loaf
2 eggs
some feta cheese
pepper
olive oil
a tomato
Beat the eggs thoroughly with some pepper and pour over the sliced bread in a flat dish. Leave to soak for half an hour minimum. Sandwich two slices of the soggy eggy bread with a thinnish slice of feta cheese and press down hard. Yes, you will get eggy fingers. Tough. Wash your hands.
Heat a bit of olive oil in a frying pan; get it good and hot to start with. Pick up your gooey eggy cheese sarnie and slip it into the hot oil. Fry for five minutes on a fairly high heat, then turn the heat down to pretty low and turn the sandwich over carefully with a spatula. Continue cooking on the other side. Turn again after a while. Turn it two or three times altogether; gently does it each time. The idea is never to let it burn but to get all the egg cooked and the cheese all melted and delish. Part of the way thru', put in the halved tomato, skin side down, beside the sandwich, and fry that as well. Ideally you want to get the tomato just slightly blackened on the skin and volcanically hot inside. Serve hot, with some olives for an additional punch of flavour.
Incidentally, this would make very good hot canapes if you cut it into 1 inch squares.
After that I watched the cricket highlights from Old Trafford. YEAH. OKAY.
Not only are England doing okay in the test match but it's been a good week culturally as well. Last Thursday I went to see "Guardians of the Galaxy", which is rollicking good stuff, thoroughly exciting, almost unnaturally well-cast (a Marvel speciality, this) and looks fantastic as well. Last weekend I went to a wonderful show at Dulwich Picture Gallery, "Art and Life", with some stunning pieces by Winifred Nicolson, one of my heroine artists. I've also seen "The Immigrant" recently on dvd; that looks tremendous, too, and it's brilliant as well - but heart-breakingly sad. And finally I've been getting on with some sewing and I've written about 4,000 words on the western story. Add in that excellent posh tea as well and it's not been a bad seven days.
And since I haven't seen the crush since then, except briefly in the distance, I am getting over the hiccough of seeing him last Friday, too. Bless him, dear man. I am determined to put this behind me. I really don't want to cause him a problem (he's a very nice chap & I'd hate it if I did) so this is just as well, really. I vow to let it go. I will let it go. I will. I swear. Or at least, the gin swears. Gin is much given to that, after all.
And tomorrow is Friday again. Good grief, where do the weeks go?
Labels:
art,
Art & Life,
ballet,
being busy,
cookery,
croque kyrie,
gin,
Guardians of the Galaxy,
my crush,
sewing,
The Immigrant,
tipsy,
writing
Wednesday, 17 April 2013
Well, this is odd; five:two diet (update)
I still haven't lost that much actual on-the-scales weight on this here five-two diet; just over a stone, in around six months (and that's including a month off after the flu and a couple of shorter breaks). But I have changed shape so much; it's really quite odd.
My boobs are still the same size, hurrah. But I've had to take two pairs of trousers in at the waist. And when I tried on the two shirts I thought I was going to have to let out - to see how much I needed to let them out by - I found that I don't need to let them out anymore.
And three pairs of jeans that were close-fitting, bordering on tight, all through the upper third are now comfy at the waist and loose in the thigh.
I know raving about diets is a problem for some people. I've never been a dieter before, much less a diet fangirl. If you know me, you know I'm definitly not a closet anorexic with horrendous denial issues... But it is really satisfying to lose weight, off the bits that needed to lose it, painlessly and straightforwardly, like this. And to feel so healthy on it (at least now I've shaken off that miserable flu and its aftereffects).
I'm enjoying my days off, although aware (from the degree that I've slumped) that I had indeed got very, very tired lately. I'm doing some writing and some sewing, I'm having a lie-in in the mornings, and yesterday I had lunch out and made a batch of fudge (which came out a bit funny, but still tastes good). Writing, sewing, cookery; all very fulfilling creative acts.
Life is okay, yep, I think so... And realising how tired I've been getting has made me decide that if I possibly can, this year, I'm going to have a full two weeks away in Greece, instead of the one week I have ended up with the last few years. It's worth committing a bit more money to, to get that utter peace, the pine-scented clean air, and the swimming in the sea and reading as much as I want... So if I get the chance, this week, I'm going to try and book that.
Thursday, 5 April 2012
Crikey, a month since I wrote anything!!
I seem to be forever saying “I’m so busy!” lately. But tomorrow is Good Friday, which means church for my church-going friends and for the rest of us, a four day weekend. Oof. A chance to catch my breath...
I worked through my lunch break today; but it was the first time in over two months that I have done that. In the previous job I had to do it two or three times a week. The new job remains refreshingly structured and organise-able compared to the old one, too. And my new manager Paul still hasn’t shown his Dark Side – if he has one, which I am beginning to doubt. So busy or no I am feeling decidedly cheerful about work.
Of course there is the odd chaotic group planner, and the odd startlingly rude one, and as always from time to time I have IT problems. Next spring is going to be a harder sell than usual because we don’t have our regular Trop-Ex tropical flower exhibition in February, which is a great pity. And the weather has turned chilly after a beautifully mild March. So it isn’t all shiny, but shiny enough for now.
But Kew is looking lovely, with delicate new leaves opening everywhere, glorious displays of magnolias and crab apple blossom, the first cherry blossom, early lilac species and azaleas, and great banks of native fritillaries near the river; and my own little bit of garden in Chiswick is looking lovely too in its more modest way. I have been busy outside of work with sketching (I’m having a real fit of duck-drawing) and sewing, and tidying the garden, and I’ve been to the David Hockney exhibition at the Royal Academy (wonderful: if you possibly can, go!) as well as two very enjoyable mixed bills by the English National Ballet and a couple of excellent concerts, including Britten’s “War Requiem” with Mark Padmore, the chap who was at school with my brother Steve, a heart-rending tenor soloist.
ENB are in good form, though I managed to get rather a lot of Dmitri Gruzdyev, a dancer I find dismally uncharismatic, both nights – I would much prefer to have seen pretty much any of their other men as Nijinsky’s Faun, never mind as Balanchine’s Apollo – I don’t mean to sound bitchy, but Apollo he ain’t!! The three Muses I saw were lovely, though, and Erina Takahashi was a terrific sacrifice in “The Rite of Spring”. David Dawson’s “Faun/e”, a new piece on me, was gorgeous despite the men’s silly “will it fall off or not?” costumes, and “Suite en Blanc” looked even more luscious second time around.
Steve, incidentally, has got his plaster cast off and is progressing well with physiotherapy.
A ray of watery sun has just filtered through the clouds; may it be a good omen for the weekend ahead!
Against the blanched white clouds
Where last month there were only
Dark branches like scars, now
Everywhere I see shivers of green.
Birds sing, or hop scuffling
Among the flashing celandines.
The swans stake out their usual demesne
By the lake, and a thousand coots
Chase one another like ninja chicks
Across the grey spring waters.
Labels:
drawing,
English National Ballet,
kew,
Mark Padmore,
my brother Steve,
Poetry,
Rite of Spring,
sewing,
spring
Friday, 6 January 2012
Rr-i-ip!
Does mending count as a creative activity, do you suppose?
I went on a Manual Handling training course this morning - which was useful and not too heavy on the grisly medical stuff. It turns out my lifting technique was already pretty good, which is pleasing (it probably comes of having had several bad backs over the years). But the chief way in which I distinguished myself was by splitting my trousers with a resounding ripping noise, halfway through the practical part of the training. They weren't particularly tight or particularly old, but the main vertical seam up the bum split right the way up. Bah!
I'm now sitting eating my lunch dressed in a scarf wrapped round my hips, and sewing. A fetching look, especially with black ankle socks. >sigh<
The weekend can only be better than this, anyway...
I went on a Manual Handling training course this morning - which was useful and not too heavy on the grisly medical stuff. It turns out my lifting technique was already pretty good, which is pleasing (it probably comes of having had several bad backs over the years). But the chief way in which I distinguished myself was by splitting my trousers with a resounding ripping noise, halfway through the practical part of the training. They weren't particularly tight or particularly old, but the main vertical seam up the bum split right the way up. Bah!
I'm now sitting eating my lunch dressed in a scarf wrapped round my hips, and sewing. A fetching look, especially with black ankle socks. >sigh<
The weekend can only be better than this, anyway...
Tuesday, 19 July 2011
The tide of life is at slack water
I'm having one of those phases when life seems slack and spiritless. Not a serious, full-on attack of the blues; just a flat patch. I seem to be wandering blankly through each day and each week; nothing much happens, yet every day I get home tired and just want to relax with the radio or the tele on, some sewing, and my supper. Preferably an easy supper. Tonight, for example, is going to be an omelette.
I am doing some writing; I'm about halfway through the extended short story I mentioned a while ago. I'm also about halfway through doing the seams on the blouse I let out, and I've finished the panelled dress. I did bake a cake on Sunday (& I've brought half of it in to work to share, to prove it). I even got a little bit of pruning and tidying done in the garden, between the humongous rainstorms. So I'm not being unproductive. I just feel disengaged and dust-and-ashes-y about things. It's like having a timid distant cousin of depression following me about bashfully all day.
I can't complain, really, since I know how very much worse this stale-flat-and-unprofitable feeling can get. It's probably connected to being tired. Tomorrow I'm meeting The Crazy Intern at "The Magic Flute". It may actually not rain for a whole day, today. I'm having lunch and going to a matinee with my mother at the weekend. Things are fine, really they are; it's not the world, it's me. Stale, flat and unproftable.
I am doing some writing; I'm about halfway through the extended short story I mentioned a while ago. I'm also about halfway through doing the seams on the blouse I let out, and I've finished the panelled dress. I did bake a cake on Sunday (& I've brought half of it in to work to share, to prove it). I even got a little bit of pruning and tidying done in the garden, between the humongous rainstorms. So I'm not being unproductive. I just feel disengaged and dust-and-ashes-y about things. It's like having a timid distant cousin of depression following me about bashfully all day.
I can't complain, really, since I know how very much worse this stale-flat-and-unprofitable feeling can get. It's probably connected to being tired. Tomorrow I'm meeting The Crazy Intern at "The Magic Flute". It may actually not rain for a whole day, today. I'm having lunch and going to a matinee with my mother at the weekend. Things are fine, really they are; it's not the world, it's me. Stale, flat and unproftable.
Labels:
depression,
gardening,
Magic Flute,
rain,
sewing,
tired
Monday, 20 June 2011
The last of Cardiff Singer (& possibly the last of the summer, too)
Cardiff Singer is over for another two years, and I am bereft. For a whole week I have had the chance to listen to a bunch of talented young opera singers every night. Some of them were good, some were very good and some were really great. Some were absolutely wonderful. I now have bad withdrawal symptoms.
What a feast of glorious music it has been, and what a pleasure all those hard-working young people were, with their fine voices and their hopes for the future writ large on eager faces. I feel very dull and rather old when I listen to a twenty-four year old with more musical talent in their little finger, and more self-discipline and determination to succeed, than I have in all five foot nine and fourteen stone of me; but I also feel privileged to get to see them in action, so early in their careers, these kids. They are so bright-eyed and bushy-tailed, and full of delight in everything they do.
The Moldovan soprano, Valentina Nafornitsa, won the Grand Final. My favourite, the Ukrainian baritone Andrei Bondarenko, won the Lieder Prize. I would have given him both prizes, but then I do love my baritones. Mr Bondarenko’s song recital was a sheer wonder from start to finish; effortlessly beautiful singing full of subtle, unforced sincerity and dramatic nuance, and with that incredible feeling of intimacy that a great recitalist can bring even to a big concert hall. At last Favourite Baritone has a worthy successor.
I’m going to see if by some miracle I can get a ticket to Glyndebourne next year – he is singing Marcello in “La Boheme” and I go slightly fluttery inside at the thought. As my late father used to say about certain sopranos, “Gulp, I think I’m in love”.
Despite the vital but restrictive necessity of being in for all the Cardiff broadcasts, I managed to get a good deal done this weekend, too. On Saturday I visited a lovely exhibition of modern Australian prints at the BM, and had a mooch afterwards in the minor Greece and Rome rooms – the ones with real things from real people’s lives and homes in – then spent a happy hour in an art materials shop (& didn’t buy anything stupid – just a few sensible things like a new sketchbook) and then in a sale at HMV on Oxford Street (& only bought one thing, a Dvd of “La Fille mal Gardée”), and had lunch out, and listened to a very good Hungarian band busking outside the church of St Martin’s in the Fields, and bought some concert and ENO tickets for the autumn.
On Sunday I sewed; I finally finished the poppy-print top, then cut out, pinned and tacked two more jobs, a plain straight summer frock in panels of two shades of blue, and a blouse I need to let out. Opening the under-arm seams and piecing in extra fabric on either side is a miserable, fiddly job, but I just relax, listen to the radio, and tell myself I am channelling my grandmothers’ spirits. To throw away a favourite blouse, in silk patchwork in shades of chestnut brown and burgundy, that always looked good, simply because I’ve put on so much weight, offends me. Realistically, I’m unlikely to lose the weight, and the sewing practice is good for me, so I’m going to let it out and get some more use out of it rather than beating myself up about getting stout. With the really twiddly parts, the cutting out and fitting and pinning and basting, all done, it’s just a question of mindlessly plying my needle now, and I can do that peacefully over the next few weeks while I watch tele or listen to music.
It’s just started to pour with rain; now that I can go home, it does this. Guess who didn’t bring an umbrella today? Really, after all these years living in my dear wet native land, you’d think I’d be more Great-British-summer-savvy!
What a feast of glorious music it has been, and what a pleasure all those hard-working young people were, with their fine voices and their hopes for the future writ large on eager faces. I feel very dull and rather old when I listen to a twenty-four year old with more musical talent in their little finger, and more self-discipline and determination to succeed, than I have in all five foot nine and fourteen stone of me; but I also feel privileged to get to see them in action, so early in their careers, these kids. They are so bright-eyed and bushy-tailed, and full of delight in everything they do.
The Moldovan soprano, Valentina Nafornitsa, won the Grand Final. My favourite, the Ukrainian baritone Andrei Bondarenko, won the Lieder Prize. I would have given him both prizes, but then I do love my baritones. Mr Bondarenko’s song recital was a sheer wonder from start to finish; effortlessly beautiful singing full of subtle, unforced sincerity and dramatic nuance, and with that incredible feeling of intimacy that a great recitalist can bring even to a big concert hall. At last Favourite Baritone has a worthy successor.
I’m going to see if by some miracle I can get a ticket to Glyndebourne next year – he is singing Marcello in “La Boheme” and I go slightly fluttery inside at the thought. As my late father used to say about certain sopranos, “Gulp, I think I’m in love”.
Despite the vital but restrictive necessity of being in for all the Cardiff broadcasts, I managed to get a good deal done this weekend, too. On Saturday I visited a lovely exhibition of modern Australian prints at the BM, and had a mooch afterwards in the minor Greece and Rome rooms – the ones with real things from real people’s lives and homes in – then spent a happy hour in an art materials shop (& didn’t buy anything stupid – just a few sensible things like a new sketchbook) and then in a sale at HMV on Oxford Street (& only bought one thing, a Dvd of “La Fille mal Gardée”), and had lunch out, and listened to a very good Hungarian band busking outside the church of St Martin’s in the Fields, and bought some concert and ENO tickets for the autumn.
On Sunday I sewed; I finally finished the poppy-print top, then cut out, pinned and tacked two more jobs, a plain straight summer frock in panels of two shades of blue, and a blouse I need to let out. Opening the under-arm seams and piecing in extra fabric on either side is a miserable, fiddly job, but I just relax, listen to the radio, and tell myself I am channelling my grandmothers’ spirits. To throw away a favourite blouse, in silk patchwork in shades of chestnut brown and burgundy, that always looked good, simply because I’ve put on so much weight, offends me. Realistically, I’m unlikely to lose the weight, and the sewing practice is good for me, so I’m going to let it out and get some more use out of it rather than beating myself up about getting stout. With the really twiddly parts, the cutting out and fitting and pinning and basting, all done, it’s just a question of mindlessly plying my needle now, and I can do that peacefully over the next few weeks while I watch tele or listen to music.
It’s just started to pour with rain; now that I can go home, it does this. Guess who didn’t bring an umbrella today? Really, after all these years living in my dear wet native land, you’d think I’d be more Great-British-summer-savvy!
Monday, 18 October 2010
A constructive weekend is a Good Thing
...and this was one.
I had lunch with my stepmum Jane and went to a ballet matinee with her - the mixed bill at the Royal Ballet, including a wonderful new piece by Kim Brandstrup, a good revival of "Winter Dreams" (also sad) and a lovely bonne bouche in the form of Balanchine's "Theme and Variations" with the lovely Sarah Lamb and gorgeous Steven McRae showing off their best bravura chops.
Afterwards we sat in a café on the Strand drinking tea and eating cake, watching the world go by, and nattering. Simple pleasures like an afternoon with someone you are fond of just never seem to pall...
What else? I made a tentative start on some new writing and had a little nudge towarfds clearing a hurdle in some other, ongoing, writing.
I did my Tax Return and sent it off. Ooof! - what a relief...
I managed to charm Dan into fixing the broken light fitting in the kitchen (after a slightly fraught beginning we seem to have found a friendly modus operandi, which is good). A working light in the kitchen is very welcome as the autumn evenings close in and the mornings get dimmer.
And I did a pile of needlework; let something down, let something else out, took something else in, and mended two bras.
The ballet and lunch with Jane was probably the most fun. The writing still feels a little unsteady, as though the muse is convalescent after a bad cold. The sewing wasn't exactly fun, as it was all fine handwork and very squinty stuff, but getting a garment wearable is rewarding and the results will be very useful. The Tax Return was grim, but I feel terribly worthy and aren't-I-good now it is out of the way.
I also watched "Strictly Come Dancing" - definitely fun - "Merlin" - most definitely likewise - "The Pillars of the Earth" - fearful twaddle, but done with relish and a lot of fake dirt - "Countryfile", in which Adam bought a new ram ("I'm looking for a tup with good teeth and good testicles" says he cheerfully; the tup next to him in the pen rather sweetly hung his head as if embarrassed) - and my new dvd of "Coppelia".
That was a good weekend, I think.
I had lunch with my stepmum Jane and went to a ballet matinee with her - the mixed bill at the Royal Ballet, including a wonderful new piece by Kim Brandstrup, a good revival of "Winter Dreams" (also sad) and a lovely bonne bouche in the form of Balanchine's "Theme and Variations" with the lovely Sarah Lamb and gorgeous Steven McRae showing off their best bravura chops.
Afterwards we sat in a café on the Strand drinking tea and eating cake, watching the world go by, and nattering. Simple pleasures like an afternoon with someone you are fond of just never seem to pall...
What else? I made a tentative start on some new writing and had a little nudge towarfds clearing a hurdle in some other, ongoing, writing.
I did my Tax Return and sent it off. Ooof! - what a relief...
I managed to charm Dan into fixing the broken light fitting in the kitchen (after a slightly fraught beginning we seem to have found a friendly modus operandi, which is good). A working light in the kitchen is very welcome as the autumn evenings close in and the mornings get dimmer.
And I did a pile of needlework; let something down, let something else out, took something else in, and mended two bras.
The ballet and lunch with Jane was probably the most fun. The writing still feels a little unsteady, as though the muse is convalescent after a bad cold. The sewing wasn't exactly fun, as it was all fine handwork and very squinty stuff, but getting a garment wearable is rewarding and the results will be very useful. The Tax Return was grim, but I feel terribly worthy and aren't-I-good now it is out of the way.
I also watched "Strictly Come Dancing" - definitely fun - "Merlin" - most definitely likewise - "The Pillars of the Earth" - fearful twaddle, but done with relish and a lot of fake dirt - "Countryfile", in which Adam bought a new ram ("I'm looking for a tup with good teeth and good testicles" says he cheerfully; the tup next to him in the pen rather sweetly hung his head as if embarrassed) - and my new dvd of "Coppelia".
That was a good weekend, I think.
Monday, 16 August 2010
Back to work
Last week I saw a shooting star; a Perseid, despite the urban light pollution and the hazy night! But I am feeling a bit withdrawn, and I’d much rather be at home again today. I had a very quiet weekend; read a lot, did some mending, and made five pounds of greengage jam. The rain kept me indoors a lot more than I’d planned (I got soaked on Saturday carrying my groceries home). I've finished A S Byatt’s “The Children’s Book” (terrific, but terribly sad) and am about halfway through re-reading “The Count of Monte Cristo” (which is terrific, too, but of course in a completely different way from the Byatt). Sometimes it’s good to have a really quiet patch, though; sometimes soul and body require it of one.
Back at work now, anyway; but still so tired that I’ll probably have an early night again. I want an easy supper and a good night’s sleep and a quiet day tomorrow.
Back at work now, anyway; but still so tired that I’ll probably have an early night again. I want an easy supper and a good night’s sleep and a quiet day tomorrow.
Labels:
AS Byatt,
Dumas,
kew,
sewing,
The Children's Book,
The Count of Monte Cristo,
tired,
vegetarianism
Wednesday, 23 June 2010
More constructive stuff...
And yesterday evening, I:
made a huge lentil and cauliflower biriyani;
and a huge bowlful of sliced and lightly-sugared strawberries;
ate some and put the rest in the fridge for another night;
put on some cheerful music to sew to;
realised after mending one shoulder strap that I simply couldn't sew to this particular music (the Warsaw Village Band) as it was far too energising;
and set up my easel with a sheet of A4 cartridge paper and spent an hour drawing like a maniac, working from some of my orchestra sketches from the autumn, getting covered in charcoal till I looked like a comedy coal miner...
I drew my favourite Maestro. I know, I know, crushes are the mark of a feeble mind. Tough; it's a good drawing. Yes, I did actually say that. I'm quite pleased with it, and I don't say that often; this morning I woke up to find the figure on my drawing board staring across the room at me, which is spooky but very satisfying. It means the drawing has "got" him, at least a bit.
Tonight I'm off to "Idomeneo" at the ENO, so won't be able to get back to the drawing until Thursday. I hope that when I get in at midnight or so tonight, I will still see him watching me (a girl can dream!...).
When I work in a large scale in charcoal I tend to overlay drawing upon drawing, so that part of the interest comes from the interaction between multiple layers of images. I discovered years ago at college that this process worked with images of buildings, especially interiors; and have since learnt it is also very effective with portraits. So at the moment my image of the Maestro has five arms and two layers of head; he looks like Shiva in a black velvet jacket.
It was interesting to realise that the Warsaw Village Band is absolutely not music to sew to. They're terrific; slightly mad stuff, a wildly trippy fusion of traditional Polish folk music and psychadelic trance, hypnotic and driving. As "get up and dance" - or "get up and draw", in my case - music, they're hard to beat. I sewed to Sibelius (Violin Concerto) and Rachmaninov (Symphonic Dances) yesterday; fabulous music, but music I could sew to.
Different energies, different rhythms, and different responses to them. Neither is less than the other; but they are not the same. No, different magics altogether.
Long live all the many and various magics of this world! - including the magic (for it certainly is one) of charcoal.
made a huge lentil and cauliflower biriyani;
and a huge bowlful of sliced and lightly-sugared strawberries;
ate some and put the rest in the fridge for another night;
put on some cheerful music to sew to;
realised after mending one shoulder strap that I simply couldn't sew to this particular music (the Warsaw Village Band) as it was far too energising;
and set up my easel with a sheet of A4 cartridge paper and spent an hour drawing like a maniac, working from some of my orchestra sketches from the autumn, getting covered in charcoal till I looked like a comedy coal miner...
I drew my favourite Maestro. I know, I know, crushes are the mark of a feeble mind. Tough; it's a good drawing. Yes, I did actually say that. I'm quite pleased with it, and I don't say that often; this morning I woke up to find the figure on my drawing board staring across the room at me, which is spooky but very satisfying. It means the drawing has "got" him, at least a bit.
Tonight I'm off to "Idomeneo" at the ENO, so won't be able to get back to the drawing until Thursday. I hope that when I get in at midnight or so tonight, I will still see him watching me (a girl can dream!...).
When I work in a large scale in charcoal I tend to overlay drawing upon drawing, so that part of the interest comes from the interaction between multiple layers of images. I discovered years ago at college that this process worked with images of buildings, especially interiors; and have since learnt it is also very effective with portraits. So at the moment my image of the Maestro has five arms and two layers of head; he looks like Shiva in a black velvet jacket.
It was interesting to realise that the Warsaw Village Band is absolutely not music to sew to. They're terrific; slightly mad stuff, a wildly trippy fusion of traditional Polish folk music and psychadelic trance, hypnotic and driving. As "get up and dance" - or "get up and draw", in my case - music, they're hard to beat. I sewed to Sibelius (Violin Concerto) and Rachmaninov (Symphonic Dances) yesterday; fabulous music, but music I could sew to.
Different energies, different rhythms, and different responses to them. Neither is less than the other; but they are not the same. No, different magics altogether.
Long live all the many and various magics of this world! - including the magic (for it certainly is one) of charcoal.
Tuesday, 22 June 2010
Constructive stuff...
Yesterday evening I:
Sewed patches on three pairs of trousers
Did a lightening extra edit on GY after re-reading part of it and seeing a new shade of purple where I'd not spotted it before
Made and ate a nice stir-fry with smoked tofu and greens
Watched the film of "Let the Right One in" - beautifully made and acted, not particularly scary, very, very sad. One of the best films-of-the-book I've come across. Could the fact that John Ajvide Lindquist wrote the screenplay based on his own novel have anything to do with it?
And - had a very good dream. One of my favourite sorts of dream, the kind that gives one the germ of a story. GY started with a dream, and eventually led me to over 100,000 words. No idea if this dream is cooking like that, but it was still a good dream. A Sci-Fi dream (oh, yes, I'm low, I am).
Sewed patches on three pairs of trousers
Did a lightening extra edit on GY after re-reading part of it and seeing a new shade of purple where I'd not spotted it before
Made and ate a nice stir-fry with smoked tofu and greens
Watched the film of "Let the Right One in" - beautifully made and acted, not particularly scary, very, very sad. One of the best films-of-the-book I've come across. Could the fact that John Ajvide Lindquist wrote the screenplay based on his own novel have anything to do with it?
And - had a very good dream. One of my favourite sorts of dream, the kind that gives one the germ of a story. GY started with a dream, and eventually led me to over 100,000 words. No idea if this dream is cooking like that, but it was still a good dream. A Sci-Fi dream (oh, yes, I'm low, I am).
Labels:
cookery,
GY,
Let the Right One In,
science fiction,
sewing,
writing
Monday, 2 November 2009
Tengo un coliflor...

Yum. Reheated cauliflower with cheese is the tops. I am ridiculously hungry.
This has been an interesting weekend. The first thing that happened was that on Saturday morning the laptop suddenly decided it was no longer ill, and in fact was as good as gold. I am now right up-to-date with my backing up on disc, as I no longer have complete faith in it. But I am baffled as to why it decided to behave again in the first place. I took nothing out, put nothing in, gave it neither reiki nor toast, and was unable to remove its bottom because although this unscrewed it did not come off. Yet it decided it likes me again. I am not complaining - this is not complaining! - this is rather a bemused cousin of joy. With a sidelong glance of deep mistrust.
Still, I have rescued the latest versions off all my projects. That is a Good Thing.
To celebrate I went shopping, no longer for a new laptop but for, appallingly, some shoes. Didn't buy any; bought a jacket instead. Then bought a cd of "MGV"; a marvellous, beautiful, thrilling piece of music by Michael Nyman; restrained myself from buying the whole of the original three "Star Wars" movies on dvd; got the ineffably silly but thoroughly enjoyable "Stargate" (which was in a sale) instead, as well as "Let the Right One in", which will undoubtedly scare the living daylights out of me but is based on a terrific book and is probably worth seeing - just the once, at least.
Then yesterday morning I got all the cutting-out, tacking and fitting of a new skirt done, which just leaves the main sewing (I do this by hand, so it's a slow job, though durable when done). In the afternoon I worked in the garden, and in the evening I went to Club Night at the Chiswick Scottish Country Dance club, which meant several hours of non-stop dancing, plus a slightly odd supper of smoked salmon sandwiches, shortbread and tea.
I am exhausted, and I ache all over, but it was a good weekend.
Labels:
backache,
gardening,
Laptop problems,
scottish country dancing,
sewing,
shopping,
writing
Thursday, 8 October 2009
Atmospherics after dark (with apologies to Tom Robinson, who may not even like Janacek)
Last night I discovered that the concert I had been to last week was on the radio, so I settled down with my plate of macaroni cheese to listen. The reception was terrible for about the first fifteen minutes – the start of “Sinfonietta” sounded as if it were being played in the shower – and I had to keep springing up to fiddle with the tuning. Every time I touched the dial, the reception improved dramatically, only to go off again the moment I let go. It made no difference if I had actually altered the dial or not – the improving factor was physical contact with me.
I am forced to the conclusion that my body is a gigantic radio aerial, an idea I find vaguely worrying. I am not made of metal, and I am not terribly technical (anyone who does know about radios is probably laughing at my naivety at this point). Besides the slightly disturbing “radio waves are dripping all over me” feeling, this also meant I had to stand up constantly, which interfered with my appreciation of my supper.
But then, oddly, the reception suddenly improved. The shower noise stopped and I could appreciate the rest of the Janacek, and the whole of the Lindberg and the Stravinsky, in comfort. It really was an excellent concert – I hope they consider releasing it on their own recording label. After all, clearly a recording has been made, by the BBC, so why not make use of it? As well as the quality of the performance, it was a superbly chosen programme, with two modernist masterpieces and what I feel on second hearing is certainly a natural successor. The three pieces complemented one another beautifully; like one’s handsome cousins at a wedding, they were delightful as individuals and as parts of a family relationship. It was particularly good to hear the Janacek played with such clarity and what I can only call lack of sugar. It was a great illustration of just how wide is the gap between that thick viscous layer of sweetness, like cheap salad dressing, that is sentiment, and powerful feeling, expressed with sincerity and commitment but without ostentation.
The upshot of all this, though, is that I have decided to treat myself to a decent new radio. It was so much more pleasant to be able to sit and eat, and then get on with my sewing, without having to keep tweaking the tuner.
I am working my way through a large pile of items of clothing that are nice but that don’t fit me, turning them into slightly different (& sometimes slightly odd) items of clothing that do fit me. If I had a digital camera and the means to upload pictures I’d do a fashion-shoot sometime – some of the results are actually quite good, and they bring me both the satisfaction of creative needlework and that of demonstrating an efficient household economy.
After the concert I put the sewing away and sat up till 2 am finishing “The Birds Fall Down”. I’m slightly pie-eyed today as a result; and tonight I am off back to the Festival Hall for “Wozzeck” (pauses to take deep breaths). I fully expect to be pulverised, both aurally and emotionally.
I am forced to the conclusion that my body is a gigantic radio aerial, an idea I find vaguely worrying. I am not made of metal, and I am not terribly technical (anyone who does know about radios is probably laughing at my naivety at this point). Besides the slightly disturbing “radio waves are dripping all over me” feeling, this also meant I had to stand up constantly, which interfered with my appreciation of my supper.
But then, oddly, the reception suddenly improved. The shower noise stopped and I could appreciate the rest of the Janacek, and the whole of the Lindberg and the Stravinsky, in comfort. It really was an excellent concert – I hope they consider releasing it on their own recording label. After all, clearly a recording has been made, by the BBC, so why not make use of it? As well as the quality of the performance, it was a superbly chosen programme, with two modernist masterpieces and what I feel on second hearing is certainly a natural successor. The three pieces complemented one another beautifully; like one’s handsome cousins at a wedding, they were delightful as individuals and as parts of a family relationship. It was particularly good to hear the Janacek played with such clarity and what I can only call lack of sugar. It was a great illustration of just how wide is the gap between that thick viscous layer of sweetness, like cheap salad dressing, that is sentiment, and powerful feeling, expressed with sincerity and commitment but without ostentation.
The upshot of all this, though, is that I have decided to treat myself to a decent new radio. It was so much more pleasant to be able to sit and eat, and then get on with my sewing, without having to keep tweaking the tuner.
I am working my way through a large pile of items of clothing that are nice but that don’t fit me, turning them into slightly different (& sometimes slightly odd) items of clothing that do fit me. If I had a digital camera and the means to upload pictures I’d do a fashion-shoot sometime – some of the results are actually quite good, and they bring me both the satisfaction of creative needlework and that of demonstrating an efficient household economy.
After the concert I put the sewing away and sat up till 2 am finishing “The Birds Fall Down”. I’m slightly pie-eyed today as a result; and tonight I am off back to the Festival Hall for “Wozzeck” (pauses to take deep breaths). I fully expect to be pulverised, both aurally and emotionally.
Thursday, 30 October 2008
Thursday before Samhain
I realise looking back over this that my enthusiasm has slackened somewhat over time. I suspect this is normal, but still a little embarrassing to reflect on how madly keen I was at first to strew my thoughts on the web. However life goes on and I'd always rather be busy than bored. I've been doing a bit more printmaking for greetings cards, and some more sewing - I'm now onto a shirt large enough for the late Luciano Pavarotti, which I am brutally cutting to make a shirt that fits me. I am rather enjoying this big clothes sewing binge. At times I wonder if I should take it further and run a business on the side producing interesting new clothes from old. There are so many wonderful things in charity shops, sitting doing nothing and getting dusty hems - beautiful fabrics crying out to be re-imagined, dated styles crying out to be pruned and jazzed up. What with charity shop buys and old things from my own cupboards, at the moment I have enough hand sewing jobs to last me all winter. But if I were to buy a sewing machine, that would mean I could whip through them in a few evenings...
I've also been having some totally non-creative but interesting fun with an online dating agency... A couple of guys have messaged me but nothing more; all rather bizarre. But I'm tired of waiting for interesting men to surface near me; face it, there aren't many at Kew and those there are seem to be either already taken, weird, or very weird.
Trying to describe oneself without sounding either big-headed or terrifyingly insecure and self-deprecating is tough going. At least I have a few pictures of myself - the same ones I have posted here at some point (Imogen the student radical beating her doumbek on a demo, Imogen on board a sleeper to Barcelona, Imogen looking quizzical in an orange suntop, Imogen drunk but very happy at her graduation ball.) I'd love a decent current picture of me on my bike, just to counter the decidedly indoor feel of most of those. When one has an old-fashioned 35 ml film camera and a mobile 'phone that predates mobiles having built-in cameras, getting photographs in an electronic form is surprisingly difficult.
I've also been having some totally non-creative but interesting fun with an online dating agency... A couple of guys have messaged me but nothing more; all rather bizarre. But I'm tired of waiting for interesting men to surface near me; face it, there aren't many at Kew and those there are seem to be either already taken, weird, or very weird.
Trying to describe oneself without sounding either big-headed or terrifyingly insecure and self-deprecating is tough going. At least I have a few pictures of myself - the same ones I have posted here at some point (Imogen the student radical beating her doumbek on a demo, Imogen on board a sleeper to Barcelona, Imogen looking quizzical in an orange suntop, Imogen drunk but very happy at her graduation ball.) I'd love a decent current picture of me on my bike, just to counter the decidedly indoor feel of most of those. When one has an old-fashioned 35 ml film camera and a mobile 'phone that predates mobiles having built-in cameras, getting photographs in an electronic form is surprisingly difficult.
Wednesday, 15 October 2008
Wednesday...
I'm a very happy woman today as I've just acquired a big packet of Merquén, the wonderful smoked chili and herb mixture a friend gave me from Chile, which I have become addicted to and almost run out of. And I'm going to see Cav&Pag at the ENO tonight. So altogether a pretty good day. Last night I finished what was in the end a very extensive amount of darning on one of my new-second-hand jumpers, which turned out to have had moth in it at some point. A real challenge to my skills in the old home front wartime field of "make-do-and-mend".
Friday, 10 October 2008
And it's Friday again already...
Actually my excuse this time is that I was off work sick (foul 'fluey bug) for several days. Very unwise of me as a new girl to be ill, but there was no way I was coming in to Kew - I could hardly make it as far as the kitchen (one floor down) last weekend. Greatly relieved to feel more or less myself again by today; I know one can take well over a week to recover from 'flu. Good news at work is that Julie has been replaced (well, in so far as the irreplaceable can ever be - oh, dear, no, that sounds as if she snuffed it whereas all she's really done is go to Durham). So when Roxana gets back from her long weekend off we'll have a full team in Visitor Info again.
However, my creative activities over the last week have been limited to sewing, which one can do sitting up in bed fairly easily. I've cannibalised a baggy sweater and made from it a sweater that fits me, and have nearly finished doing the same to a cotton suntop for next year. And I strung some beads. Strenuous stuff. Apart from that I have read a great deal, which is always good even when the circumstances are horrible; a Dorothy L Sayers I picked up for 50 pence at a Lifeboat Station Open Day books-and-junk-stall, a guide to Cuba and a fascinating book by a guy called Phil Cousineau about the philosophy of pilgrimage.
The washing machine still hadn't been fixed when I left for work this morning - that's three and a half weeks now of handwashing my socks and underwear - good thing I'm not squeamish (or leaky). I'm not used to it any more, though I've done plenty of it in my time, mostly many years ago when a student, in digs with no washing machine and no local laundrette.
Have drafted some material for my putative Creativity magazine but am now wondering if I was barking to moot the idea in the first place, as no-one I asked for input or suggestions has got back to me at all. Not even to say "You're barking." Hmmm. Watch this space. I'm sure every creative innovator has moments of terrible self doubt (says she, attempting to aggrandise a very unimportant issue). But after all, it may have been a really silly idea...
Hoping all are well; have a good weekend.
However, my creative activities over the last week have been limited to sewing, which one can do sitting up in bed fairly easily. I've cannibalised a baggy sweater and made from it a sweater that fits me, and have nearly finished doing the same to a cotton suntop for next year. And I strung some beads. Strenuous stuff. Apart from that I have read a great deal, which is always good even when the circumstances are horrible; a Dorothy L Sayers I picked up for 50 pence at a Lifeboat Station Open Day books-and-junk-stall, a guide to Cuba and a fascinating book by a guy called Phil Cousineau about the philosophy of pilgrimage.
The washing machine still hadn't been fixed when I left for work this morning - that's three and a half weeks now of handwashing my socks and underwear - good thing I'm not squeamish (or leaky). I'm not used to it any more, though I've done plenty of it in my time, mostly many years ago when a student, in digs with no washing machine and no local laundrette.
Have drafted some material for my putative Creativity magazine but am now wondering if I was barking to moot the idea in the first place, as no-one I asked for input or suggestions has got back to me at all. Not even to say "You're barking." Hmmm. Watch this space. I'm sure every creative innovator has moments of terrible self doubt (says she, attempting to aggrandise a very unimportant issue). But after all, it may have been a really silly idea...
Hoping all are well; have a good weekend.
Monday, 8 September 2008
Monday evening...
...feeling rather embarrassed after spending a whole weekend doing nothing at all creative. I went to a couple of great concerts at the Southbank Centre, walked my landlady's dog five times, did some shopping, and started reading a spanish translation of one of the Sherlock Holmes books (to brush up my spanish, not out of sheer masochism!). I bought a second-hand cotton summer dress to convert into a top (beautiful fabric is worth a few quid even if the garment needs a complete reconstruction). I made some rather solid chocolate flapjack, and that's about it. But I did do some thinking on the Tube back from the concerts. Along the carriage from me a woman with a moany voice was explaining at great length to a friend how she never does any knitting any more because she is so terribly terribly busy and overstretched, although she had really enjoyed it and was apparently (according to her!) very good at it. It got me to thinking about all the excuses we make to justify our inactivity and our procrastination. Some, goddess knows, are valid, but others are really very thin indeed. Expect a post or two over the next few days on the many droll and feeble lines we feed ourselves!
But perhaps it would be more use (not to mention far more upbeat) to work on a list of tips and tricks to beat those procrastinatory excuses...
But perhaps it would be more use (not to mention far more upbeat) to work on a list of tips and tricks to beat those procrastinatory excuses...
Wednesday, 13 August 2008
Second post...
Second Post!
It's gone half-five now and I have finished work but will stop for five minutes to add a little more to this. Then I am heading back home to cook some supper and amuse myself for the evening - possibly with sewing. One of my big tricks for keeping creativity going is telling myself that doing anything creative counts - and I really enjoy making stuff out of other stuff and in particular making interesting clothes by cannibalising things I bought in charity shops. Present project is a velvet skirt, which I aim to turn into a different velvet skirt (one that fits me!). I just finished making a hat - or possibly a fascinator, I'm not certain where the boundary lies - for a friend, out of a piece of net, 1/2mm gauge wire, some feathers and the right boob of an old evening dress (bust stiffeners are very useful things). Result was apparently a hit at her cousin's wedding, much to my satisfaction. It does boost the spirit when one gets some appreciation!
It's gone half-five now and I have finished work but will stop for five minutes to add a little more to this. Then I am heading back home to cook some supper and amuse myself for the evening - possibly with sewing. One of my big tricks for keeping creativity going is telling myself that doing anything creative counts - and I really enjoy making stuff out of other stuff and in particular making interesting clothes by cannibalising things I bought in charity shops. Present project is a velvet skirt, which I aim to turn into a different velvet skirt (one that fits me!). I just finished making a hat - or possibly a fascinator, I'm not certain where the boundary lies - for a friend, out of a piece of net, 1/2mm gauge wire, some feathers and the right boob of an old evening dress (bust stiffeners are very useful things). Result was apparently a hit at her cousin's wedding, much to my satisfaction. It does boost the spirit when one gets some appreciation!
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